Ink and watercolor
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I started making a new kind of painting, mixing ink drawings with watercolor painting. I draw the contour with a fountain pen with black ink, and then I paint the colors with watercolor. I was trying to solve a painting problem: how do I loosely indicate the sense of rows of houses on San Francisco hills? While looking for techniques that might work, I came across the concept of urban sketching, which seemed promising. I examined many examples and watched some instructional videos, none of which helped with my problem. However, I learned a lot of urban sketchers first do an ink sketch of the scene, and then color it in with watercolor. I tried that, and liked the effect, especially for buildings. It's easier to indicate straight lines and sharp angles, and creates a different mood than watercolor alone. In this post, I've gathered a few sketches done in this ink and watercolor style.
Potrero Hill #

A view from Potrero Hill in San Francisco. Ink and watercolor on paper. Painted from a photo reference.
It was a beautiful scene in person, and I sat there for a long time on a warm night in March. I had my watercolors with me, but for some reason I didn't feel like painting. Soon after, I made this sketch from the photos I took as reference. I didn't know if I could manage all the angles and stuff, and I was pleasantly surprised that it looked nice. I'd like to go back and paint this hill from life.
City street #

City street. Ink and watercolor on paper. Loosely based on a photo reference from Noe Valley in San Francisco
Here, I mostly used the photo reference to help me understand how real building angles should look, but made very little effort to keep the scene realistic.
Alcatraz #

Alcatraz. Ink and watercolor on paper. Painted from a photo reference.
I took this photo of a building on Alcatraz some time last year. I think some famous skateboarding videos have been shot there. I loved the angles and harsh light when I saw it in person, even though (or perhaps because) I hate prisons and the glorification of prison, so I took the photo. Then, I thought it would also be a good image to practice the receding lines of a building seen side-on.
Hamburger #

My actual hamburger. Ink and watercolor on paper. Drawn from life and colored from reference.
The funny thing about this one is that I painted the ink sketch very quickly, so my burger wouldn't get cold. Then, I took a bite of the burger before I remembered to take a photo so I could have a reference for the colors later, but the burger in the photo already had a big bite. The checkered paper napkin that it came on was fun to paint, too.
Coffee cup #

A coffee cup. Ink and watercolor on paper. Drawn and painted from life.
My routine was interrupted for a few weeks, so this was my first coffee cup in a month or so. I felt like I lost the sense of the cup's contours. One my way home, I was thinking about how artists and art studios often have collections of objects to paint as still lives, and that maybe I need to start such a collection so I can keep in practice.